Garden near Perchtoldsdorf
Tina Blau (Wien 1845 - Wien 1916)
Lot-No. 203
Proceeds : 47.000 €
Oil/wood, 17,5 x 27 cm, sign. a. dat. lo. ri. T. Blau 1895 as well as inscribed Petersdorf, on the reverse sign. again a. inscribed N. 27. - The painting is from the creative career of the artist in the 1880s a. 90s that is characterised by the most distinct pictorial directness a. vitality. It shows the church a. the defence tower of Perchtoldsdorf near Vienna, which repeatedly served as one of Blau-Langs motifs. - Landscape a. flower painter, initially trained by A. Schäffer in Vienna, study trips through the alps, to Hungary, Italy a. the Netherlands, thereafter she studied at the Munich academy under W. Lindenschmitt, since 1874 she shared a studio with J.E. Schindler, with A.F. Seligmann she founded an acaemy for women, orientated at the Dutch painting of the 17th c. a. contemporary plein air painting she developed a colorism that earned her several awards a. the protection of H. Makart, her skill in expressing atmospheric moods as well as her mastery of composition a. colouring rank her as impressionist of international importance. - Mus.: Wien (Albertina, Belvedere), München (Staats-Gem.-Sammlung, Neue Pinakothek a. Lenbachhaus), Kaiserslautern, Graz a. others. - Lit.: Boetticher, Thieme-Becker, Vollmer, Bénézit, Natter/Jesina: T.B., 1999 a. others.
Tina Blau: Garden near Perchtoldsdorf
Tina Blau (Wien 1845 - Wien 1916)
Garden near Perchtoldsdorf
Lot-No. 203
Proceeds : 47.000 €
Oil/wood, 17,5 x 27 cm, sign. a. dat. lo. ri. T. Blau 1895 as well as inscribed Petersdorf, on the reverse sign. again a. inscribed N. 27. - The painting is from the creative career of the artist in the 1880s a. 90s that is characterised by the most distinct pictorial directness a. vitality. It shows the church a. the defence tower of Perchtoldsdorf near Vienna, which repeatedly served as one of Blau-Langs motifs. - Landscape a. flower painter, initially trained by A. Schäffer in Vienna, study trips through the alps, to Hungary, Italy a. the Netherlands, thereafter she studied at the Munich academy under W. Lindenschmitt, since 1874 she shared a studio with J.E. Schindler, with A.F. Seligmann she founded an acaemy for women, orientated at the Dutch painting of the 17th c. a. contemporary plein air painting she developed a colorism that earned her several awards a. the protection of H. Makart, her skill in expressing atmospheric moods as well as her mastery of composition a. colouring rank her as impressionist of international importance. - Mus.: Wien (Albertina, Belvedere), München (Staats-Gem.-Sammlung, Neue Pinakothek a. Lenbachhaus), Kaiserslautern, Graz a. others. - Lit.: Boetticher, Thieme-Becker, Vollmer, Bénézit, Natter/Jesina: T.B., 1999 a. others.
