Bathers at Lake Constance
Max Ackermann (Berlin 1887 - Unterlengenhardt 1975)
Lot-No. 186
Proceeds : 2.500 €
Pastel, 16 x 26 cm, lo. ri. on cardboard outside the painting sign. a. dat. Max Ackermann 1940, mounted on cardboard, framed under glass, uninspected out of frame. - Painter a. graphic artist, studied in Weimar under H. van de Velde a. in Dresden under R. Müller, but most important was his training under A. Hölzel in Stuttgart, in 1918)19 he was member of the "Blauer Reiter", he started with realist sociocritical motifs, turned to constructivism a. abstraction, in 1928 he met Kandinsky a. Grosz, after exhibition ban by the Nazis he moved to Lake Constance in 1936, he was member of the Stuttgart secession, after the war he continued to paint abstract. - Mus.: Berlin (Nat.-Gal.), Frankfurt (Städel), Hamburg (Kunsthalle), Köln (Wallraf-Richartz-Mus., Mus. Ludwig), Chicago (Art Inst.), Wien (Albertina), Basel u.a. - Lit.: Saur, Vollmer.
Max Ackermann: Bathers at Lake Constance
Max Ackermann (Berlin 1887 - Unterlengenhardt 1975)
Bathers at Lake Constance
Lot-No. 186
Proceeds : 2.500 €
Pastel, 16 x 26 cm, lo. ri. on cardboard outside the painting sign. a. dat. Max Ackermann 1940, mounted on cardboard, framed under glass, uninspected out of frame. - Painter a. graphic artist, studied in Weimar under H. van de Velde a. in Dresden under R. Müller, but most important was his training under A. Hölzel in Stuttgart, in 1918)19 he was member of the "Blauer Reiter", he started with realist sociocritical motifs, turned to constructivism a. abstraction, in 1928 he met Kandinsky a. Grosz, after exhibition ban by the Nazis he moved to Lake Constance in 1936, he was member of the Stuttgart secession, after the war he continued to paint abstract. - Mus.: Berlin (Nat.-Gal.), Frankfurt (Städel), Hamburg (Kunsthalle), Köln (Wallraf-Richartz-Mus., Mus. Ludwig), Chicago (Art Inst.), Wien (Albertina), Basel u.a. - Lit.: Saur, Vollmer.