Jacqueline Kennedy III
Andy Warhol (Pittsburgh 1928 - New York 1987)
Lot-No. 400
Starting Bid: 9.000 €
1966. Silk screen. 101,5 x 76,5 cm. Unframed. On the reverse stamp signature and hand num. 38/200. - Literature: Cat. rais.: Feldmann/Schellmann II.15 - Painter, graphic artist, filmmaker and publisher, one of the most important representatives of Pop Art. His serial works depicting consumer goods and celebrities are among the most sought-after icons of contemporary art. W. began in the 50s as a commercial artist and soon belonged to their highly paid elite. He exhibited at MoMA as early as 1956, and by the mid-1960s at the latest, he was counted among the international avant-garde of the art world. W. had numerous exhibitions, including several times at Documenta. Through the serial repetition of a motif, often with intentionally imprecise color application, W. draws our attention to the manipulability of our perception through the media. Mus.: New York (MoMA, Metrop. Mus., Whitney Mus.), London (Tate Modern), Los Angeles (Mus. of Contemp. Art), Pittsburgh (Andy-Warhol-Mus.), Cologne (Mus. Ludwig) a. others. Lit.: Feldmann/Schellmann: A catalogue raisonné, 1985 a. others.
Andy Warhol: Jacqueline Kennedy III
Andy Warhol (Pittsburgh 1928 - New York 1987)
Jacqueline Kennedy III
Lot-No. 400
Starting Bid: 9.000 €
1966. Silk screen. 101,5 x 76,5 cm. Unframed. On the reverse stamp signature and hand num. 38/200. - Literature: Cat. rais.: Feldmann/Schellmann II.15 - Painter, graphic artist, filmmaker and publisher, one of the most important representatives of Pop Art. His serial works depicting consumer goods and celebrities are among the most sought-after icons of contemporary art. W. began in the 50s as a commercial artist and soon belonged to their highly paid elite. He exhibited at MoMA as early as 1956, and by the mid-1960s at the latest, he was counted among the international avant-garde of the art world. W. had numerous exhibitions, including several times at Documenta. Through the serial repetition of a motif, often with intentionally imprecise color application, W. draws our attention to the manipulability of our perception through the media. Mus.: New York (MoMA, Metrop. Mus., Whitney Mus.), London (Tate Modern), Los Angeles (Mus. of Contemp. Art), Pittsburgh (Andy-Warhol-Mus.), Cologne (Mus. Ludwig) a. others. Lit.: Feldmann/Schellmann: A catalogue raisonné, 1985 a. others.
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